![]() Shop now and save on your favorite brands. So what we see remixers attempt (and get away with) over the next couple years when it comes to Pooh and friends could be a preview of how Disney will respond when the earliest Mickey Mouse copyright expires in just a couple years’ time. Proteggi il tuo cellulare con i personaggi di Winnie The Pooh. Lex is selling their Disney Vintage Winnie The Pooh Sweatshirt for 30 (40 Off Retail) on Curtsy, the sustainable thrifting app. Jenkins has an entire piece up exploring how that could play out and explaining how brands aren’t allowed - or, at least, aren’t supposed to be allowed - to use trademark to bully people out of accessing public domain properties. ![]() Remixers may still have trouble navigating Disney’s control over the brand and later works, though. “This is how the public domain supports creativity.” (But heads up: Tigger wasn’t introduced until a couple years later, so that character still belongs to Disney.) #WINNIE THE POOH APPLE LAPTOP COVER LICENSE#You can now do all of this “without having to seek a license from Disney,” Jenkins writes. But the public is now free to reprint the original book, adapt it into a play or film, write a sequel, or use the appearance and traits of any of its characters, according to Jenkins. Disney still retains copyright over its newer works and adaptations (and, as Jenkins points out, Disney holds brand trademarks as well). Both Winnie-the-Pooh and Felix Salten’s Bambi, A Life in the Woods head into the public domain today. This year’s batch already starts to add some complications for Disney. #WINNIE THE POOH APPLE LAPTOP COVER UPDATE#Those are now slated to enter public domain in 2024 - as long as there isn’t another last-minute update to the law. Passed in 1998, the law was widely seen as a protective measure for Disney, since the earliest Mickey Mouse cartoons, released in 1928, were just years from falling out of copyright. Until a couple years ago, a 20-year copyright extension had stopped additional works from entering into the public domain. The recordings include works from Ethel Waters, Mamie Smith, and The Sousa Band, among many others. The recordings include “everything from the advent of sound recording technology all the way through to early jazz and blues,” Jennifer Jenkins, director of Duke’s public domain center, recently told NPR. “The advent of sound recording technology all the way through to early jazz and blues”
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